The New Yorker Radio Hour
The New Yorker Radio Hour

Sep 15, 2026 · 20 min

John Wilson turns concrete into a comic climate investigation

John Wilson and “The History of Concrete”

The episode examines how a material linked to climate costs also underpins housing, prosperity, and urban development.

3 key takeaways
  1. 1John Wilson built a feature film from improvisational research and rules borrowed from a Hallmark movie-writing class.
  2. 2The film uses comedy as a Trojan horse for debates over climate change, housing affordability, and urban growth.
  3. 3Wilson presents concrete’s contradictions without settling the competing cases made by NIMBYs, YIMBYs, and industry interests.

Don't miss

Wilson explains how a Hallmark movie-writing class became the unexpected starting point for The History of Concrete.

The brief

John Wilson discusses moving beyond HBO to make a feature film, after a Hallmark movie-writing class unexpectedly supplied the project’s creative rules.

The film’s unconventional research process follows discovery during filming rather than a settled plan, turning concrete into both subject and running joke.

Wilson uses comedy as a Trojan horse for climate change, affordable housing, and urban development, keeping the documentary from becoming a conventional political lecture.

Concrete becomes a study in contradiction: its environmental costs sit alongside the prosperity and housing infrastructure associated with the industry.

The conversation closes at Low Cinema, Wilson’s Queens theater, where audiences may come for a screening, community, or simply popcorn.

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