Aug 30, 2026 · 27 min
Shaboozey turns Black cowboy history into a revenge saga
A Wild West revenge tale and the Black roots of cowboy culture
The conversation connects a cinematic concept album to questions of artistic risk, personal loss, and the overlooked Black roots of cowboy culture.
- 1Shaboozey builds Sherry Lee’s revenge story around loss, resilience, consequences, and the histories carried by each character.
- 2The album combines country, hip-hop, spoken word, ballads, instrumentals, and performances to create an ensemble-driven musical film.
- 3After “A Bar Song” became a major success, Shaboozey chose a complete concept album instead of repeating a proven formula.
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Shaboozey discusses and briefly performs material connected to “Coyote’s Point,” explaining how experience creates the album’s outlaw perspective.
The brief
Shaboozey introduces Sherry Lee, a fictional outlaw whose quest to avenge her father’s death gives the album its emotional and narrative spine.
The project moves between country, hip-hop, spoken word, ballads, and instrumentals, treating songs and performances as scenes in a larger musical film.
Shaboozey says personal relationships and shared experiences informed the album’s losses, while each outlaw receives a history that explains how they became dangerous.
The success of “A Bar Song” created pressure to repeat a hit, but Shaboozey and his team backed a riskier, complete concept album.
Growing up in Woodbridge, Virginia, connected Shaboozey to country music and the Black history of the American West that informs his artistic perspective.
A discussion and brief performance of “Coyote’s Point” closes the arc with the idea that experience can turn anyone toward an outlaw life.